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Leonardo DiCaprio and Cameron Diaz get cosy on a night out in London
In the portraits of the city's criminals, Scorsese saw the potential for an American epic about the battle for the modern American democracy. Inhe acquired screen rights to Asbury's book; however, it took twenty years to get the production moving forward. Difficulties arose with reproducing the monumental city scape of nineteenth century New York with the style and detail Scorsese wanted; almost nothing in New York City looked Cameron diaz leonardo dicaprio it did in that time, and filming elsewhere was not an option.
Eventually, Cameron diaz leonardo dicaprioScorsese was able to find a partnership with Harvey Weinsteinnoted producer and co-chairman of Miramax Films. Production designer Dante Ferretti recreated over a mile of mid-nineteenth century New York buildings, consisting of a five-block area of Lower Manhattanincluding the Five Points slum, a section of the East River waterfront including two full-sized sailing ships, a thirty-building stretch of lower Broadwaya patrician mansion, and replicas of Tammany Hall, a church, a saloon, a Chinese theater, and a gambling casino. The film's voice coach, Tim Monich, resisted using a generic Irish brogue and instead focused on distinctive dialects of Ireland and Great Britain.
As DiCaprio's character was born in Ireland but raised in the United States, his accent was designed to be a blend of accents typical of the half-Americanized. To develop the unique, lost accents of the Yankee "Nativists" such as Daniel Day-Lewis's character, Monich studied old poems, ballads, newspaper articles which sometimes imitated spoken dialect as a form of humor and the Rogue's Lexicon, a book of underworld idioms compiled by New York's police commissioner, so that his men would be able to tell what criminals were talking about. An important piece was an wax cylinder recording of Walt Whitman reciting four lines of a poem in which he pronounced the word "world" as "woild", and the "a" of "an" nasal and flat, like "ayan".
Monich concluded that native nineteenth century New Yorkers probably sounded something like the proverbial Brooklyn cabbie of the mid-twentieth. Due to the strong personalities and clashing visions of director and producer,[ clarification needed ] the three year production became a story in and of itself. During the delays, noted actors such as Robert De Niro and Willem Dafoe had to leave the production due to conflicts with their other productions. The official justification was after the September 11, attackscertain elements of the picture may have made audiences uncomfortable; the film's closing shot is a view of modern-day New York City, complete with the World Trade Center's towersdespite their having been leveled by the attacks over a year before the film's release.
It was ultimately decided keep the towers unaltered. In DecemberJeffrey Wells[ who?