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The legal action meant that the script presents a mostly fictionalised retelling of the story, and was further cut down at the script stage by the British censors who took out a number of gory sequences - fortunately, the film flows along very quickly and there is barely a dead moment in the whole story. Unlike the Dracula films, Christopher Lee is in almost every scene and his stand-out performance as Rasputin makes the whole film; with a lesser actor the picture would certainly not have Suzan farmer nude as good. Only the ending seems rather poor - a lengthy fight scene at the end Suzan farmer nude the film was inexplicably cut by the studio and like Dracula: Prince of Darknessthe ending is very sudden.

Production is very strong. Don Sharp gives a good directoral turn, although not using as many elaborate camera angles as Freddie Francis did, his camerawork is much more distinctive than Terence Fisher's often very plain shooting, and Rasputin has some interesting angles and close-ups. The sets are redressed from Dracula: Prince of Darkness and look very impressive. Don Banks gives a relatively typical Hammer score that builds up the film. Not a typical Hammer Horror film, Rasputin: The Mad Monk is still very interesting. Christopher Lee steals the show with one of his best performances for the company.

The enforced fictionalisation means the film has no real historical interest, but is an entertaining watch and Hammer fans should enjoy it - no less scary today than most of the actual horror pictures from the studio. In Brief Anyone famous in it? Francis Matthews - appeared in Hammer's early horror sucess Revenge of Frankenstein Directed by anyone interesting? Not to a modern audience. It proved so popular that when HBO unexpectedly cancelled a fourth series there were angry protests from fans. As a result, the studio has now agreed to finance two two-hour movies to wrap up the story satisfactorily.

Based on a real person, Swearengen runs the Gem Saloon and peddles prostitutes, booze, drugs and gambling.

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While still a student there, he made his film debut with a starring role in 's The Wild and the Willing with John Hurt and Samantha Eggar.